The soldiers, with the personal prodding of Major General William T. With his vessels effectively trapped, Porter sent an urgent appeal for help to the Army, and then issued orders to his captains to prepare to destroy their ships rather than let them fall into enemy hands. The flotilla would have retreated, but Confederate troops got in their rear on Deer Creek and began felling trees there also. Exploiting this, the Rebels further impeded progress by felling trees across the stream, and brought the Union force to a halt within 1.5 miles (2.4 km) of the Rolling Fork.

The waterway, narrow and with frequent turns, forced the vessels to move at snail's pace. Traversing Steele's Bayou was not particularly difficult, but the second leg, along Deer Creek, proved impossible.

Two army transports followed them on the opening leg others were to come later if the route were to prove satisfactory. The naval flotilla moved into Steele's Bayou on March 14, 1863. The army and navy contingents of the expedition moved separately, although their movements were coordinated. To avoid enemy artillery in place on the bluffs to the east of the city, the expedition would leave the Yazoo and proceed indirectly on a route through a series of waterways in the flood plain to the east of the Mississippi. Its aim was to move Union forces from the Mississippi River to a point on the Yazoo River upstream of Confederate Lieutenant General John C. Porter's Mississippi River Squadron, conducted as a part of the Vicksburg Campaign of the American Civil War. Grant's Army of the Tennessee and Rear Admiral David D. This much-anticipated fifth volume of The Symphonic Repertoire-The Symphony in the Americas-offers a user-friendly, comprehensive history of the symphony genre in the United States and Latin America.The Steele's Bayou expedition was a joint operation of Major General Ulysses S. This volume presents current overviews of the status of research, deals with unique challenges for the development of the symphony in the United States and Latin America, illuminates the style of specific works and their contexts, and samples early writings on their reception. The research and adds to an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. In volume V, The Symphony in the Americas, Brown's former students and colleagues collaborate to complete the work he began on this critical period of development in symphonic history. Peter Brown explored the symphony from its 18th century beginnings into the 21. In his series The Symphonic Repertoire, the late A. The Symphonic Repertoire, Volume V (Hardback)Ĭentral to the repertoire of Western art music since the 1700s, the symphony has come to be regarded as one of the ultimate compositional challenges.

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